PK Podcast 033: Kevin Brownlee on Indigenous Archaeology and Highlighting Native Heritage

PK Podcast 033: Kevin Brownlee on Indigenous Archaeology and Highlighting Native Heritage


Kevin Brownlee is the Curator of Archaeology at Canada’s renowned Manitoba Museum. Through experimental archaeology and the emerging field of indigenous archaeology, Kevin has been able to shed new light on artefacts found in Manitoba. In particular, he focuses on the archaeology of Manitoba’s boreal forest and sub-arctic.

Kevin is of Cree heritage and is a member of Kinosao Sipi Cree Nation also known as the Norway House Cree Nation. He obtained his Master’s Degree in Anthropology from the University of Manitoba. He has been Curator of Archaeology at the Manitoba Museum since 2003. Kevin has spent his career working with Indigenous communities raising awareness of ancient heritage and archaeology. Prior to working at the museum, he served as an Aboriginal Liaison Officer for the government of Manitoba.

Kevin Brownlee in the woods
Kevin Brownlee, Curator of Archaeology at the Manitoba Museum, has spent his career working with indigenous communities and raising awareness of ancient heritage and archaeology of the boreal forest and sub-arctic. Photo courtesy of Kevin Brownlee.

The Manitoba Museum, which was originally called the Manitoba Museum of Man and Nature, is the largest heritage centre in Manitoba and one of the largest in the World. From the perspective of my love of bushcraft skills, I’ve always been drawn to the museum since I first knew of its existence, enticed by what I could learn from its exposition of the natural habitats of Manitoba, in particular the boreal forest, including how humans have existed and lived there for thousands of years. The museum focuses on combined human and natural heritage subject matter in a very integrated way.

I have visited the Manitoba Museum a number of times on previous stays in Winnipeg. Indeed I made a short video blog of one of my visits in 2015. Through my visits and viewing online materials related to the museum, I had been aware of Kevin Brownlee’s work for a number of years. So, it made sense to me to reach out to Kevin to have a conversation about his work and the insights this provides.

So it was that I met Kevin at the museum and we headed to the Archaeology Lab upstairs to record a podcast. Our conversation forms Episode 33 of the Paul Kirtley Podcast…

How To Listen To This Podcast

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Links Mentioned In This Podcast

Bushcraft Take-Aways From The Manitoba Museum

Birchbark Canoe film

Kevin Brownlee – Curator Of Archaeology, Manitoba Museum

Kevin Brownlee – Manitoba Museum Archaeology Blog

Kevin Brownlee indoors with harpoon
Kevin Brownlee in the Manitoba Museum archaeology lab with the harpoon recreation based on a harpoon point, made of the leg bone of a moose, in the museum’s collection. Photo: Paul Kirtley.

Thanks For Listening!

Thanks for joining me on this podcast. If you have any comments about this episode, please leave them in the comments section below.

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And Finally…Please Rate This Podcast

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Ratings and reviews are extremely helpful and greatly appreciated! They do matter in the rankings of this podcast and I read each and every one of them.

Related Material On Paul Kirtley’s Blog

PK Podcast 032: Lars Fält, Julia Kalthoff, Juha Rankinen and Jonas Als

PK Podcast 031: Will Lord On His Passion For The Prehistoric

Bushcraft Take-Aways From The Manitoba Museum

Winter Magic: Return To The Northern Forest

Six Men, Three Boats and The Bloodvein: Canoeing A Wilderness River


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Paul Kirtley is an award-winning professional bushcraft instructor, qualified canoe leader and mountain leader. He is passionate about nature and wilderness travel. In addition to writing this blog Paul owns and runs Frontier Bushcraft, a wilderness bushcraft school, offering bushcraft courses and wilderness expeditions.

12 thoughts on “PK Podcast 033: Kevin Brownlee on Indigenous Archaeology and Highlighting Native Heritage

  1. So, with no ‘legal’ incentives, like rock quarrying, or power lines / dams, or roads through the system, there are undiscovered artifacts out there left uncovered due to lack of social/economical/political interests, but, it may well be worth doing an archaeological three month expedition in a spiral fashion to locate possible goodies. One traditional river route (Bloodvein) is a starter, but were there alternate routes (river-ways) used by the “Dreamers” who recorded some concept of their vision on another rock location? Are there secret places frequented by the ‘Dreamers’ which are undiscovered yet?

  2. Part 2 of my comment. (sorry for being long-winded, but this one really got my brain clicking.) It fortifies my belief that the old ones were not so primitive after all, because as the knowledge of weather lore, which the professional trapper has, or the use of clay pots with rounded bottoms was a better solution for open fire coal cooking, these show there was a total awareness to the immediate environment. It is when people were forced to become nomadic that the portable generic trade-offs happened, metal pots, portable shelters, etc. The advantages of communities, with experienced elders that recorded the local elements, the patterns of animal movements, the number of moons in a season compared to the same previous season, etc. show the complex minds of these so-called uncivilized nations. There is so much we need to learn from nature, from tried and true indigenous methods, and these are just now resurfacing to public knowledge through bushcraft practice. Now this is why I love bushcraft. The Europeans who migrated here, such as Samuel Hearn, who learned to use these experiences by re-learning and re-shaping their thought processes, those we call pioneers, are those who were simply evolving from a stagnant mindset.

    1. As always, thanks for sharing your impressions and observations Marcel. I’m glad this episode in particular sparked a lot of thoughts…

      Warm regards,


  3. Great podcast! Very much enjoyed it. I’m only 5 or 6 hours from the Manitoba Museum so a field trip is in order. Thanks very much.

    1. Hi Bob,

      It’s good to hear from you. Thanks for your comment – glad you enjoyed the podcast.

      Yes, you should definitely take a visit to the museum. I think it is set to become even more valuable as they renovate and refresh some of their displays too.

      Warm regards,


  4. Absolutely fascinating, I’m about two-thirds of the way through it at the moment but when I do finish it I will have to play it through a couple more times.
    My wife is happy as I cooked the Sunday dinner as I listened to it.
    One thing I like about is his attitude as he looks at the bigger picture and doesn’t set things in stone like (unfortunately) a lot of historians do now days.
    I used to re-inact the English Civil War and was part of living history where I made musket balls and lit match and how we lit rush lights etc, anyway the authentic police would come round telling me they didn’t have this that and the other in those days such as wooden buttons with two holes in, we’ll as I was visiting a museum in Dublin there was a button with two holes in and made out of jet which looked like any modern day button, this button was over 3,000 years old.
    All I’m trying to say is Historians are very clever people but they are not always right.
    Hope this all makes sense to you and is relevant to the interview .
    I’m new to your page and finding so much stuff to read and listen to, glad I found you.
    Chris Pingram.

  5. Oh dear, how can I delete my comments on my post above, after reading it back it doesn’t make good reading, Sorry.
    Chris Pingram.

      1. Yes please what I was trying to say didn’t come out right.
        Love everything you do, full of great usefull information.
        Thank you.

  6. A truly fascinating discussion. I am a firm believer in experimental archaeology and the use of traditional knowledge to help explain the archaeological record. It was really interesting to hear about the bias that often creeps into scientific interpretation, whether based on the ‘academic/scientific method’ or on the (clearly false) assumption that western/white/modern mans technology/interpretation is automatically the best. All tools/art have a cultural basis and need to be looked at in the light of similar cultures.
    Thanks again and more of the same please!

    1. Hi Kevin,

      It’s good to hear from you and thanks for your comments. I’m glad you appreciated this episode and I’ll do my best to bring more like this.

      Warm regards,


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